International Journal For Multidisciplinary Research

E-ISSN: 2582-2160   •   Impact Factor: 9.24

A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal

Call for Paper Volume 6 Issue 6 November-December 2024 Submit your research before last 3 days of December to publish your research paper in the issue of November-December.
Submit Research Paper Join as a Reviewer

Plagiarism is checked by the leading plagiarism checker TurnItIn

Call for Paper

Volume 6 Issue 6
November-December 2024

Submit your research paper

Indexing Partners
Academia Advanced Sciences Index Bielefeld Academic Search Engine CiteSeer DRJI Google Scholar Independent Search Engine & Directory Network ISI (International Scientific Indexing) Issuu Mendeley Research Networks
RefSeek ResearcherId - Thomson Reuters ResearchGate Scirus Scribd Semantic Scholar UTeM - Universiti Teknikal Malaysia Melaka Wiki for Call for Papers WorldCat Zenodo

Evolution and Genres of Odissi Music

Author(s) Niladri Kalyan Das
Country India
Abstract Utkal, also called Odisha, the holy land of Lord Jagannath is known for its excellence in the sphere of the arts. The pursuit of excellence in art, sculpture, music and literature is one of the defining features of the Odishan culture. Rich in musical tradition, the fertile land of Odisha has produced rich harvest in the form of Odissi Dance and Music. Exuberance of human feelings has always sought expression either in rhythmic movements of the body or in melodious modulations of the voice. Historical evidences suggest that in Odisha, music and dance were being seriously pursued under royal patronage right from 2nd century BC and that by around 10th century A.D. Odissi music had crystalised into a distinctive classical form. The treatises unmistakably point to the fact that Odissi is one among the few schools of Indian classical music and it has a distinctive system of Raga and Taala and a characteristic style of rendition that is lyrical in it’s movement with wave like ornamentations. The tradition has always two components, the written and the oral. Of the many treatises written on this distinctive tradition of music, the bulk were written between 16th and 18th century. Five of these treatises, such as, Geeta Prakash, Sangeeta Narayan, SangetaKalpalataetc are now available in parts and two are in the form of palm leaf manuscripts.
Keywords Odissi, Music, Antiquity, Dance, Song, Utkal, Gamak, Kalinga, Raga, Saint Poets, Lord Jagannath.
Field Arts > Movies / Music / TV
Published In Volume 4, Issue 6, November-December 2022
Published On 2022-12-31
Cite This Evolution and Genres of Odissi Music - Niladri Kalyan Das - IJFMR Volume 4, Issue 6, November-December 2022. DOI 10.36948/ijfmr.2022.v04i06.1287
DOI https://doi.org/10.36948/ijfmr.2022.v04i06.1287
Short DOI https://doi.org/grk5d5
View / Download PDF File

Share this



E-ISSN 2582-2160
CrossRef

CrossRef DOI is assigned to each research paper published in our journal.

IJFMR DOI prefix is
10.36948/ijfmr

Downloads
Research Paper Format Copyright Permission Form and Undertaking Form Cover Page Vol 6 Isu 6Cover Page Vol 6 Isu 5Cover Page Vol 6 Isu 4

All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.

CC-BY-SA Open Access

About IJFMR
Fees & Payment
Current Issue
Publication Archive 		Submit Research Paper
Track Submission Status
Publication Guidelines
Publication Ethics
Peer Review & Plagiarism 		Join as a Reviewer
Editors & Reviewers
Reviewer Referral Program
Get Reviewer Membership Certi. 		Website/Journal Policies
Usage Policy
Content Policies
Privacy Policy
Contact Us +91-9898-5948-55 editor@ijfmr.com