International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Reviewer Referral Program
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
WSMCDD-2025
GSMCDD-2025
Conferences Published ↓
RBS:RH-COVID-19 (2023)
ICMRS'23
PIPRDA-2023
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 6 Issue 6
November-December 2024
Indexing Partners
A Study of the Baiga Women's Tradition of Tattoos, Modernization of this Art and Situation of Tattoo Industry in India
Author(s) | Sandesh Bandhu, Nishant Kumar Singh, Prof. Vishwambhar Nath Sharma |
---|---|
Country | India |
Abstract | The Polynesian term "Ta," which signifies hitting something, or the Tahitian word "tatau," according to some anthropologists, may be the source of the word "tattoo." It is "to mark something." Since before the start of the Christian era (CE), tattooing—a kind of bodily modification—has been ingrained in the cultures of many indigenous tribes worldwide. It is also demonstrated by anthropological evidence of various tattoo designs from various cultures that tattooing originated independently in many parts of the world. For various tribes across the nation, getting tattoos has always been an essential aspect of daily life. Tattoos are considered an essential component of the culture and history of the Baiga tribe's women. With the tribal people of Central India, tattooing, sometimes referred to locally as "Godna," is a common form of body art that has deep cultural significance. In this work, the importance of tattoo culture among the women of the Baiga tribe in central India is discussed and examined. This study aims to provide an overview of the Baiga tribe the Particularly Vulnerable Tribal Groups (PVTGs) of Central India. It also explains the tattooing process, from the development of the indelible ink to the tattoo artist's application of the ink into the skin's dermis layer. At present, this art has been modernized to a great extent and the tattoo industry has become a major identity all over the world. At the same time, it has spread to many states in India as well. There are immense possibilities of development in this field in the future. |
Keywords | Tattoo industry, Godna, Baiga tribe, Particularly Vulnerable Tribal Group (P.V.T.G.) |
Published In | Volume 6, Issue 3, May-June 2024 |
Published On | 2024-05-18 |
Cite This | A Study of the Baiga Women's Tradition of Tattoos, Modernization of this Art and Situation of Tattoo Industry in India - Sandesh Bandhu, Nishant Kumar Singh, Prof. Vishwambhar Nath Sharma - IJFMR Volume 6, Issue 3, May-June 2024. DOI 10.36948/ijfmr.2024.v06i03.20492 |
DOI | https://doi.org/10.36948/ijfmr.2024.v06i03.20492 |
Short DOI | https://doi.org/gtvtzc |
Share this
E-ISSN 2582-2160
doi
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.