International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Reviewer Referral Program
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
WSMCDD-2025
GSMCDD-2025
Conferences Published ↓
RBS:RH-COVID-19 (2023)
ICMRS'23
PIPRDA-2023
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 6 Issue 6
November-December 2024
Indexing Partners
Narrativizing the "Other": Joseph Conrad’s Art of Story-telling in Almayer’s Folly
Author(s) | Saila Ahmed, Md. Sakhawat Hossain |
---|---|
Country | Bangladesh |
Abstract | This paper proposes to focus on Joseph Conrad’s narrative style in his first novel Almayer’s Folly, which has been so far neglected by most mainstream critics. Conrad’s narratives employ different narrative techniques in different texts that complicate the attempt to generalize about his narrative method or style. Still some distinctive features are common in his narratives. Critics so far agree to his modernist style that links the narrators with the characters as well to explore the deep psychology of both. When most of them find Conrad’s narrators as unreliable and reflexive especially in his Lord Jim, Heart of Darkness and some other Western fictions, this essay investigates the author’s style in his debut novel, and drawing on Edward Said’s idea of “secular criticism”, finds a “secular style” of telling the story, by which Conrad achieves a kind of narrative detachment from the text and lends his narrators a transnational identity. By hiding the authorial identity and narrator’s location and racial or national perspectives, Conrad gains the confidence of his readers across the globe. That is why in the Malay trilogy, he makes his narrators nationless, and hence makes them appear as limited omniscient narrators who satirize the dominant cultural, racial, religious and political ideologies, especially the Western Imperialist hegemony. This is what makes Conrad both a writer of the East and the West. This paper critically evaluates this secular style of fiction writing in Almayer’s Folly. |
Keywords | Narrative Techniques, Secular Style, Ironic Method, Transnational Identity, Justifying Narratives, Self-Consciousness |
Field | Arts |
Published In | Volume 6, Issue 5, September-October 2024 |
Published On | 2024-10-25 |
Cite This | Narrativizing the "Other": Joseph Conrad’s Art of Story-telling in Almayer’s Folly - Saila Ahmed, Md. Sakhawat Hossain - IJFMR Volume 6, Issue 5, September-October 2024. DOI 10.36948/ijfmr.2024.v06i05.28936 |
DOI | https://doi.org/10.36948/ijfmr.2024.v06i05.28936 |
Short DOI | https://doi.org/g8pnqx |
Share this
E-ISSN 2582-2160
doi
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.