Existentialism in Doris Lessing's Grass is Singing

Sabiya Shaik

Existentialism in Doris Lessing's Grass is Singing

Author(s)	Sabiya Shaik
Country	India
Abstract	This study intends to explore the elements of existentialism in Doris Lessing's "The Grass is Singing," examining the profound implications of isolation, identity, and the human condition within the context of colonial Southern Rhodesia. The narrative revolves around Mary Turner, whose struggle against societal and personal constraints embodies existential dilemmas. As she grapples with her identity in a patriarchal society, her descent into madness illustrates the existential crisis stemming from alienation and despair. The characters, particularly Mary and her husband, Dick, navigate the complexities of their existence, reflecting the philosophical tenets of existentialism, such as freedom, choice, and the absurdity of life. Through Lessing's depiction of their deteriorating relationship and the oppressive social environment, the novel reveals how existential despair can arise from the inability to forge authentic connections and confront the absurdity of existence. Ultimately, "The Grass is Singing" serves as a poignant exploration of the human condition, underscoring the struggles for meaning and identity amid the pervasive existential challenges of colonial life.
Keywords	Existentialism, Doris Lessing, The Grass is Singing, Colonialism, Identity, Isolation, Absurdity, Feminism
Published In	Volume 4, Issue 1, January-February 2022
Published On	2022-01-28
Cite This	Existentialism in Doris Lessing's Grass is Singing - Sabiya Shaik - IJFMR Volume 4, Issue 1, January-February 2022.

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Existentialism in Doris Lessing's Grass is Singing

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