International Journal For Multidisciplinary Research

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Complexities of revenge and interpersonal relationships A psychoanalytic feminist study of the movies “Bulbbul” and “Qala” directed by Anvita Dutt

Author(s) Archisha Singh
Country India
Abstract This research conducts a comprehensive feminist analysis of two of Anvita Dutt's acclaimed films, "Bulbbul" and "Qala," emphasising on the intricate interplay of revenge, interpersonal relationships, and the representation of women in commercial Hindi cinema. Recognizing cinema as a mirror reflecting societal ideologies, the examination commences with Lacan's psychoanalytic theory, considering films are transformative mirrors for viewers seeking self-identity through on-screen characters. Positioned at the crossroads of various feminist theories, the research addresses historical challenges posed by phallocentric filmmaking, particularly within the South Asian context, where traditional gender roles and heteropatriarchal norms have marginalised women. Moving beyond initial frameworks like Laura Mulvey's "male gaze" and Judith Butler's "gender performativity," the analysis incorporates additional lenses, including Elaine Showalter's “three waves of feminism and intersectionality,” providing a more comprehensive understanding. Drawing from John Bowlby's Attachment theory and feminist relational theory, the research explores the emotional landscape and power dynamics of characters in the films, unravelling nuanced interactions influenced by societal expectations and gender norms. The incorporation of postmodern feminist theories allows an examination of how the films challenge established gender norms through narrative experimentation. Methodologically, a mixed-methods approach, encompassing qualitative film analysis, content analysis, literature review, historical analysis, psychoanalytic examination, intersectional analysis, and a comparative analysis, ensures a holistic exploration. This research aims to contribute significantly to feminist film studies by delving into the intricate complexities of "Bulbbul" and "Qala," situated at the intersection of psychoanalytic, feminist, and sociological theories, providing a deeper understanding of how these films challenge traditional gender norms in the evolving tapestry of Indian cinema.
Keywords Film studies, Cinema, Women, patriarchy, Marginalisation, Feminism, Revenge, Relationships
Field Sociology > Linguistic / Literature
Published In Volume 7, Issue 1, January-February 2025
Published On 2025-01-16
Cite This Complexities of revenge and interpersonal relationships A psychoanalytic feminist study of the movies “Bulbbul” and “Qala” directed by Anvita Dutt - Archisha Singh - IJFMR Volume 7, Issue 1, January-February 2025. DOI 10.36948/ijfmr.2025.v07i01.35192
DOI https://doi.org/10.36948/ijfmr.2025.v07i01.35192
Short DOI https://doi.org/g82gq3

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