Centering Women's Bodies: The Significance of Female Representation in Mehta's Element Trilogy

Author(s)	Ajay B. Lawange, Pradnya D. Deshmukh
Country	India
Abstract	ABSTRACT- Gender and sexuality are central to the pleasure principle in Deepa Mehta’s films. As an Indo-Canadian filmmaker, Mehta is best known for her Element Trilogy, which includes Fire (1996), Earth (1998), and Water (2005). These films critically explore the condition of women in India, focusing on their oppression and marginalization by patriarchal systems. In Fire, Mehta portrays the unfulfilled marriages of Seeta and Radha, who seek emotional and sexual freedom through a relationship with each other. Earth, set during the 1947 partition, examines the devastating impact of political violence on women, narrated by a young Parsi girl named Lenny. Water depicts the lives of widows in 1938 India, showcasing their suffering and societal rejection. Through these films, Mehta highlights the struggles of women and places their experiences at the center of the narrative, emphasizing the intersection of gender, sexuality, and social oppression in India.
Keywords	Cinema, Adaptation, Gender, Element Triology,
Field	Arts
Published In	Volume 7, Issue 2, March-April 2025
Published On	2025-03-13
DOI	https://doi.org/10.36948/ijfmr.2025.v07i02.38815
Short DOI	https://doi.org/g895sk

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