International Journal For Multidisciplinary Research

E-ISSN: 2582-2160   •   Impact Factor: 9.24

A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal

Call for Paper Volume 6 Issue 6 November-December 2024 Submit your research before last 3 days of December to publish your research paper in the issue of November-December.
Submit Research Paper Join as a Reviewer

Plagiarism is checked by the leading plagiarism checker TurnItIn

Call for Paper

Volume 6 Issue 6
November-December 2024

Submit your research paper

Indexing Partners
Academia Advanced Sciences Index Bielefeld Academic Search Engine CiteSeer DRJI Google Scholar Independent Search Engine & Directory Network ISI (International Scientific Indexing) Issuu Mendeley Research Networks
RefSeek ResearcherId - Thomson Reuters ResearchGate Scirus Scribd Semantic Scholar UTeM - Universiti Teknikal Malaysia Melaka Wiki for Call for Papers WorldCat Zenodo

Canonical Indian Literature and Bhasa: a Study in Texts and Their Aesthetics

Author(s) Himanshu Parmar
Country India
Abstract Indian Knowledge System, the repository of the entire literary and aesthetic corpus of the sub-continent, has a rich repertoire comprising texts like The Ramayana and The Mahabharata and critical texts like The Natyasastra. The former belong to the canon of Epics, they stand representatives of a tradition comprising texts like Chandrabati’s Ramayana, Jaini Ramayana, Asura: Tale of the Vanquished by Neelakantan, Draupadi by Pattanaik, etc. The genres that the tradition comprises vary from poetry to novel and a long oral tradition, as Nabneeta Dev Sen opines, of songs from these epics. In the list, however, is another writer, belonging to the canon of Sanskrit Dramaturgy, whose works are the oldest surviving extant texts in Sanskrit drama: Bhasa, the father of Sanskrit Drama. Chronologically, Bhasa is placed between the composition of Natyasastra and Malvikagnimitram and his plays are dramatic representations of the events of The Ramayana and The Mahabharata.
The research paper attempts to delve into two primary questions: that of aesthetic fidelity of the father of Sanskrit drama, to a tradition of writing that precedes him; and secondly, his literary fidelity to the foundational narratives in the Indian Literary Traditions. Through an interrogation of Bhasa’s works on these two parameters, and applying the terminologies of Adoption, Adaptation and Abrogation, the paper shall strive to place him in the canon of Indian Literature and the implications of his positionality, on Indian Literature, especially in relation to contemporaneity.
Keywords Adopting, Adapting, Abrogation, Sanskrit Dramaturgy
Field Sociology > Linguistic / Literature
Published In Volume 5, Issue 3, May-June 2023
Published On 2023-06-22
Cite This Canonical Indian Literature and Bhasa: a Study in Texts and Their Aesthetics - Himanshu Parmar - IJFMR Volume 5, Issue 3, May-June 2023. DOI 10.36948/ijfmr.2023.v05i03.3907
DOI https://doi.org/10.36948/ijfmr.2023.v05i03.3907
Short DOI https://doi.org/gsdk69
View / Download PDF File

Share this



E-ISSN 2582-2160
CrossRef

CrossRef DOI is assigned to each research paper published in our journal.

IJFMR DOI prefix is
10.36948/ijfmr

Downloads
Research Paper Format Copyright Permission Form and Undertaking Form Cover Page Vol 6 Isu 6Cover Page Vol 6 Isu 5Cover Page Vol 6 Isu 4

All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.

CC-BY-SA Open Access

About IJFMR
Fees & Payment
Current Issue
Publication Archive 		Submit Research Paper
Track Submission Status
Publication Guidelines
Publication Ethics
Peer Review & Plagiarism 		Join as a Reviewer
Editors & Reviewers
Reviewer Referral Program
Get Reviewer Membership Certi. 		Website/Journal Policies
Usage Policy
Content Policies
Privacy Policy
Contact Us +91-9898-5948-55 editor@ijfmr.com